Time in the (LEIMAY) Studio with 

Drew Weinstein

LEIMAY Studio…

The mutual transformation and influence between everyday life and practice of art is a common experience among many artists. The experience is intense for artists with an art practice that necessitates the recording of their process and art form into the cells of their bodies, particularly performance artists and performing artists who have to enact…

Time in the (LEIMAY) Studio with...

Eunjin Choi

LEIMAY Studio…

Time in the (LEIMAY) Studio with...

Mariana Taragano 

LEIMAY…

For the past year, I’ve been working on a piece called Glass: a multi-disciplinary dance performance that addresses the concept of a glass ceiling and the myriad ways that women internalize misogyny…

 Time in the (LEIMAY) Studio with...

Karri Jinkins

LEIMAY Studio Manager…

ODC/Dance; photo Andrew Weeks. Courtesy of Jacob's Pillow

Whether familiar with the dance world or not, it probably won’t come as a surprise to most readers that the majority of the dance industry work-force is female. In fact, according to Data USA¹², as much as eighty-five percent of the workers in…

Stillness: in biodynamic craniosacral therapy and improvisational performance

“Space and silence are two aspects of the same thing. The same no-thing. They are externalization of inner space and inner silence, which…

That little used tea bag hanging..., a product of consumer capitalism..., has traveled more then i did..., it's a herbal tea consisting of 7 medicinal and culinary herbs... -- Shakespeare's Ofelia: language of flowers speaking to the deaf...

http://www.blainsouthern.com/news/2013/nasan-tur-to-exhibit-berlin-says

http://whitecube.com/exhibitions/imi_knoebel_inside_the_white_cube_bermo...…

Time in the (LEIMAY) Studio with...

Kate Ladenheim

LEIMAY Studio Manager…

Judith and her Maidservant, circa 1623, detail, by Artemisia Gentileschi

A sense of stillness, of paralysis even, of wonder. Time slowly disintegrates, as if in a dream. The breath comes out of my…

Photo: Installation for Transmission, designed by Anahita Dehbonehie. Photo by Ian Garrett. 

For the past several months, I’ve been working on Transmission: a distributed, mixed reality performance that recently had…

LEIMAY Fellow Feature

A time in the studio with... Lucy Kerr 

• What is the first thing you do when you begin your rehearsal at…

LEIMAY Fellow Feature

A time in the studio with... Hee Ran Lee

• What is the first thing you do when you begin your…

When I direct, observe, and teach performers- I face the same paradoxical phenomena in all three situations. The necessity of technique and its stagnating damaging effect on the performer.  The question then is “What is talent and the role of technique in training?”  …

LEIMAY Fellow Feature

A time in the studio with... Judith Barnes 

• What is the first thing you do when you begin your rehearsal at CAVE?

Each week I begin a…

LEIMAY Fellow Feature

A time in the studio with... Irena Romendik

• What is the first thing you do when you begin your rehearsal at CAVE?

When I first…

Image of Kat Brown

Habit and repetition. Habit and repetition are important to understand somatically when working with improvisation. Repetition can create space for deepening, through each repetition the movement becomes embodied with greater ease and less conscious awareness. This can serve to break the patterns of time’s hold, but habit can also be…