All Articles (207)


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PROCESS // Dance's Partner

I believe that music acts as a partner to dance. In The Grass is Always Greener… one finds an overlapping of layers so that dance, music, and the poetry of the lyrics intertwine to create the multifaceted and profoundly human characters you see on stage.  However, even without understanding the lyrics the audience can still connect to the rhythm and melody of the music. The musical accompaniment for The Grass… helps to create the dynamic characters and vivid scenes that…

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Added by Anabella Lenzu on September 30, 2014 at 4:30pm — No Comments


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PROCESS // No Lights, No Music, No Stage

The Grass is Always Greener... is a vivid political piece dealing with immigration of past and present day. Throughout the full length show the audience is taken on a journey of interwoven tales through the eyes of immigrants coming to the US in search if freedom.  Through movement and text we catch a glimpse of the internal struggles they faced- the bitter sweet duality of saying farewell to the old world in hopes of something better across the ocean (or the border)-…
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Added by Anabella Lenzu on September 30, 2014 at 12:00pm — No Comments


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ESSAY // Am I going to get a job? - It’s highly unlikely.

Masters in Dance vs Professional Experience

By Anabella Lenzu

Titles are titles, papers are papers, but if you truly know your field, you know it.

It doesn’t matter what title you have.

Artists feel obligated to pay approximately $40,000 dollars to enroll in a master’s in dance degree program, because they need to find stability, a home, time to research,  and learn the tools to be…

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Added by Anabella Lenzu on August 8, 2014 at 2:00pm — No Comments


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ESSAY // Favoring Fire: reflections on art and production - PART I

Part I: Passion and Ignorance

 

We talk, in this country at least, about following one’s passion, but I think we don’t mean it. Or rather we mean it only insofar as our passion comes with a 401(k) or can lead to a…

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Added by Jeremy Goren on May 15, 2014 at 12:00am — No Comments


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Exploring the Unknown through the Unnecessary

In her Practice Manual for the Six Viewpoints, Mary Overlie describes the practice of Doing the Unnecessary as “a movement exploration that should be extended to breaking logic of all kinds…performers are permitted to be obstructive, non-cooperative, or minimally cooperative.”

 

My favorite memory of Mary providing an example of the Unnecessary was at the dinner table in Basin, Montana. We had cooked up some steak and asparagus and potatoes and onions. The sun was setting…

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Added by Sophia Treanor on May 10, 2014 at 2:49pm — No Comments

PERCEPTION // Julie Mayo and Lorene Bouboushian in Brink Performance Series at Dixon Place

Brink, photo courtesy Lorene Bouboushian and Laura Bartczak.

 

I would feel remiss were I not to offer a PSA in service of Dixon Place--a delightful space founded by Ellie Coven, now occupying a small albeit noteworthy segment of the Lower East Side. One enters through an old door which opens without the expected wooden heft or squeak of hinges. If the floorboards don't creak in reality, my memory has assigned the…

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Added by Marissa Leah on April 22, 2014 at 3:00pm — No Comments


Fellow & Publication Contributor
PROCESS // Polina in Fragments: Transcriptions from a master's comments in class and rehearsal

Polina Klimovitskaya, master teacher and theater director, has for years been beset by requests that she write about acting. Having started studying with her in January of 2004 and joined her Terra Incognita Theater in 2005, I have been the recipient of a rare kind of apprenticeship. Among my duties has been penning the majority of the…

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Added by Polina/Terra Incognita Theater on April 20, 2014 at 7:00pm — No Comments


Fellow & Publication Contributor
ESSAY // Symbolic Action: Performativity in Contemporary Art (part 2)

Janine Antoni Lick and Lather (1993). sculptures installed at the New Museum.

The Performativity in Everyday Life. Identity and the Presentation of the…

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Added by Kika Espejo on April 18, 2014 at 2:00pm — No Comments


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PROCESS // Blocks of Thought

"The first step of technique is separation."

"The slower you go the deeper you get."



SHAPE:



A moment into our journey as we travel further within Mary Overlie's Six Viewpoints Practice Manual.

Of the six materials (space, shape, time, emotion, movement, story), we have documented a foray into…

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Added by Sophia Treanor on April 5, 2014 at 6:30pm — No Comments

PROCESS // inspirations

I am making a dance called Still Left On This Rock.

 

Still Left On This Rock looks to unearth experiences of irreconcilable loss. Inspired partly by the subterranean limestone caverns of Virginia and the cathedral-like caves of Myanmar, the work excavates perceptions of timelessness. Internal landscapes emerge as three women…

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Added by Rebecca Brooks on March 17, 2014 at 8:30pm — No Comments


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ESSAY // The Williamson Technique and the Magnetic Actor

The Ten Minute Exercise

It is the actor’s job to be an acrobat of the human condition.  They must access the limits of themselves, consistently coming to a full emotional life.  It is…

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Added by Julia Crockett on March 6, 2014 at 4:30pm — No Comments

PROCESS // special request

Still of special request: CP by Rebecca Brooks …

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Added by Rebecca Brooks on February 13, 2014 at 9:30am — No Comments


Fellow & Publication Contributor
PERCEPTIONS // Dancing in the Museum

This past October, I was hired as a performer at New York City's Museum of Modern Art for a three week exhibition by the French choreographer, Boris Charmatz. During my last week at the museum, I was standing and watching a group of performers in motion surrounded by hundreds of museum goers.

A woman in her early…

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Added by Carlye Eckert on January 10, 2014 at 6:30pm — No Comments


LEIMAY Ensemble & Guest Colaborators
ESSAY // Death of the Dance Sciences: David Deutsch v. Tere O'Connor

According to David Deutsch, the transformation that the Enlightenment brought to modern scientific thinking was not scientific tests (any dumb theory is testable), nor philosophical empiricism (the senses lie), nor a challenge to authority (it had been challenged before), but a tradition of critical investigation. Enlightenment thinkers and scientists finally began “seeking…

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Added by Li Cata on December 24, 2013 at 2:30pm — No Comments


LEIMAY Ensemble & Guest Colaborators
PROCESS // Re-claiming Ejaculated Bodies at the Margins: Sensual Explorations of Historicized Spaces with Humor

 Having somewhat familiarity with Karen Finley's work, most recently to note, having seen her perform at the Pussy Riot defense team…

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Added by angeli on December 3, 2013 at 8:00am — No Comments


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PROCESS//False solutions to a genuine problem: Attempting to Make A Difference. Part I.

 Photo by Charlie Winter

 

You Will Make A Difference is a theatrical work that performed eleven times between October 19 and November 11, 2012. An ambulatory performance staged progressively through several spaces in the West-Park Presbyterian Church, where the audience moved together through a prescribed path following the…

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Added by Jeremy Goren on December 1, 2013 at 1:00pm — No Comments

PROCESS // Massimiliano Balduzzi: Physical Training for Performers (Video #6)

 

VIDEO #6: "Open Work"

 

VIDEO #6: "Open Work" with audio commentary

 …

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Added by Ben Spatz on August 25, 2013 at 11:00am — No Comments


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PROCESS // Meditations On A Grape

 

this series of articles will focus on our experience of the six viewpoints, frame by frame, as we experiment in rehearsals with material from mary overlie’s…

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Added by Sophia Treanor on August 14, 2013 at 5:30pm — No Comments

PROCESS // Massimiliano Balduzzi: Physical Training for Performers (Video #5)

 

VIDEO #5: "Isolations/Impulses"

 

This is the fifth of six new video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training developed by Massimiliano Balduzzi…

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Added by Ben Spatz on August 11, 2013 at 11:00am — No Comments


LEIMAY Ensemble & Guest Colaborators
PERCEPTION // Tahina Spectabilis, Marina Abramović [Interwoven] Our Bodies in Time

photo by John Dransfield

Tahina Spectabilis, otherwise known as dimaka, is a rare and endangered kind of palm that flowers itself to its own death in northwest…

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Added by angeli on August 3, 2013 at 4:00am — No Comments

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