LEIMAY Fellow Feature

A time in the studio with... Irena Romendik

• What is the first thing you do when you begin your rehearsal at CAVE?

When I first…

Image of Kat Brown

Habit and repetition. Habit and repetition are important to understand somatically when working with improvisation. Repetition can create space for deepening, through each repetition the movement becomes embodied with greater ease and less conscious awareness. This can serve to break the patterns of time’s hold, but habit can also be…

Image of Adrian Piper performing as Mythic Being, Image sourced from WordPress

    I am examining the dematerialization of the art object in relation to the work of Adrian Piper and Lygia Clark. I am situating their respective relationship to the art object in relation to minimalist art in the case of Piper, and neoconcretism in the case of Clark. I am then…

Image by Kat Brown

In Process with Authentic Movement

It’s important to let the space remain wordless, at least the center space. The context comes about through reflections, and around the edges. It’s the wordless space of listening. Sound creates context for my movement. When I move to poetry or to my own words I can give my internal experience a…

Images of Kat Brown performing Anger in a Blank Space at the Gallatin Galleries

    Anger in a Blank Space is a performance series comprised of nine durational performances. The first six performances are entitled “Anger in a Blank Space, parts 1 –…

Image of Generator at Sean Kelly Gallery in New York, originally published in New York Times. 

    Marina Abramovic’s 2010 piece The Artist is Present marked a distinct change in the nature of her work. Abramovic has been creating long duration performance pieces since the 1970s. This piece however, was the beginning of a turn toward consciousness based…

photo: Timothy Scott, Sophia Treanor, Nicolas Noreña

The Space: a square some 6 feet by 8 feet, comfortable enough to fit two to four people, but tight enough to…