I was really excited about Kota's footwork-shapeshifting exercise. For a past performance, I worked in a similar way, but doing it in the context of the workshop clarified some things for me. I had been exploring what I thought of as popping and locking with characters, listening to a lot of hip-hop and trying to combine the dancing style with the aliases, reoccurring slang, and collage of samples and breakbeats of the songs. In the same way that a b-boy/girl's arm comes out of nowhere and…