In boomerang's premiere of "For the toward," two young men strain against crushing weight. They coax, ride, and hurl steel sculptures that are the result of ritualistic and brutal labor. Raw energy channeled into athletic grace is mirrored and reciprocally absorbed by the performers. Does maneuvering such weight render them inseparable? As they balance on shaky weight and verbally exchange, they attempt to create a bearable environment in which to exhale and endeavor.
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