Added by Irena Romendik on February 15, 2017 at 6:25pm — No Comments
I believe that music acts as a partner to dance. In The Grass is Always Greener… one finds an overlapping of layers so that dance, music, and the poetry of the lyrics intertwine to create the multifaceted and profoundly human characters you see on stage. However, even without understanding the lyrics the audience can still connect to the rhythm and melody of the music. The musical accompaniment for The Grass… helps to create the dynamic characters and vivid scenes that…
ContinueAdded by Anabella Lenzu on September 30, 2014 at 4:30pm — No Comments
While re-staging The Grass is Always Greener… during my fellowship at CAVE this year, I found myself fascinated again by use of quotidian gestures—the gestures that make up our daily lives and influence our interactions with the people around us. Throughout The Grass… you will see gestures plucked from the ordinary events that help make life meaningful. The dance is also filled with gestures that exist outside of particular events and have acquired meaningful…
ContinueAdded by Anabella Lenzu on September 30, 2014 at 4:30pm — No Comments
Added by Anabella Lenzu on September 30, 2014 at 12:00pm — No Comments
Image: Kat Brown, photographed by Kat Brown
Because I am 1,000 Grains of Sand -
December 8, 2015
Site Specific
UT, US
Artist Statement
Because I am 1,000 Grains of Sand is a long duration movement piece that took place in the desert of Southern Utah. It is because of our bodily being that we experience ourselves as…
Added by Kat Brown on September 29, 2016 at 7:30am — No Comments
Added by Rebecca Brooks on February 13, 2014 at 9:30am — No Comments
VIDEO #2: "Second Sequence"
This is the second of six new video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training developed by Massimiliano Balduzzi…
ContinueAdded by Ben Spatz on June 30, 2013 at 10:00am — No Comments
VIDEO #1: "First Sequence"
Over the next three months, I will be posting six video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training…
ContinueAdded by Ben Spatz on July 20, 2013 at 1:00pm — No Comments
VIDEO #3: "Third Sequence"
This is the third of six new video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training developed by Massimiliano Balduzzi over…
ContinueAdded by Ben Spatz on July 14, 2013 at 11:00am — No Comments
VIDEO #5: "Isolations/Impulses"
This is the fifth of six new video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training developed by Massimiliano Balduzzi…
ContinueAdded by Ben Spatz on August 11, 2013 at 11:00am — No Comments
VIDEO #4: "Floor Work"
This is the fourth of six new video documents of Massimiliano Balduzzi's solo physical training for performers. These videos document a research in solo physical training developed by Massimiliano Balduzzi over…
ContinueAdded by Ben Spatz on July 28, 2013 at 11:00am — No Comments
photo by Janelle Jones 2012
I’ve been seeing a lot of emphasis in using untrained dancers for quite some time, and although I’m still very interested in others’ work that pursues that, in my work I’m primarily interested…
ContinueAdded by Adriane Lee on January 11, 2013 at 2:22pm — No Comments
this series of articles will focus on our experience of the six viewpoints, frame by frame, as we experiment in rehearsals with material from mary overlie’s…
ContinueAdded by Sophia Treanor on August 14, 2013 at 5:30pm — No Comments
Polina Klimovitskaya, master teacher and theater director, has for years been beset by requests that she write about acting. Having started studying with her in January of 2004 and joined her Terra Incognita Theater in 2005, I have been the recipient of a rare kind of apprenticeship. Among my duties has been penning the majority of the…
ContinueAdded by Polina/Terra Incognita Theater on April 20, 2014 at 7:00pm — No Comments
photo: Timothy Scott, Sophia Treanor, Nicolas Noreña
The Space: a square some 6 feet by 8 feet, comfortable enough to fit two to four people, but tight enough to…
ContinueAdded by Timothy Scott on May 7, 2017 at 11:08pm — No Comments
This is a data base for movements in my choreography. I’ve been interested in the process of making choreography. I wanted to know how many movements I’ve created so far, and to classify these movements in categories to develop an ease and efficiency in developing my work. To exhibit my movements will also help me to know more objectively why I feel beauty in each one. To ensure this purpose, I am placing my fundamental movement ideas in this article by text and video. These fundamental…
ContinueAdded by Maho Ogawa on January 15, 2013 at 2:30pm — No Comments
Added by Ben Spatz on August 25, 2013 at 11:00am — No Comments
Having somewhat familiarity with Karen Finley's work, most recently to note, having seen her perform at the Pussy Riot defense team…
ContinueAdded by angeli on December 3, 2013 at 8:00am — No Comments
This is a data base for movements in my choreography. I’ve been interested in the process of making choreography. I wanted to know how many movements I’ve created so far, and to classify these movements in categories to develop an ease and efficiency in developing my work. To exhibit my movements will also help me to know…
ContinueAdded by Maho Ogawa on January 11, 2013 at 1:00pm — 4 Comments
Stillness: in biodynamic craniosacral therapy and improvisational performance
“Space and silence are two aspects of the same thing. The same no-thing. They are externalization of inner space and inner silence,…
ContinueAdded by Sophia Treanor on February 15, 2018 at 1:16am — No Comments
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