This many (18)


Fellow & Publication Contributor
PERCEPTIONS // Used Tea bag

That little used tea bag hanging..., a product of consumer capitalism..., has traveled more then i did..., it's a herbal tea consisting of 7 medicinal and culinary herbs... -- Shakespeare's Ofelia: language of flowers speaking to the deaf...

Added by Irena Romendik on February 1, 2018 at 6:00pm — No Comments


Fellow & Publication Contributor
POETRY // ON THE EVERYDAY #1

ORD->LGA

This morning at 8, I wasn't afraid of heights
Took off into the most brilliant colorlessness 
White wing of white plane
Ice frozen to little window
Water rolling over ice
Snow sideways falling behind
Clouds crowd…
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Added by Timothy Scott on February 8, 2017 at 8:00pm — No Comments

PERCEPTION // Materialization/De-Materialization

Time Square is New York's success story. It is the bionic heart, changing the blood that runs through the post-industrial world. The beat carries heavy across thick ponds and thinned dreams. It's colored brilliant in blinding neon, but manages to still remain silver and numb because it is inherently…
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Added by Stephanie Rae Berzon on July 3, 2013 at 3:00pm — No Comments


Team Member
PERCEPTION // Mapping the Void // VESSEL

Hands to floor, feet to wall, legs astride two others.  I ascended the stairs to reach The Alchemical, a performance, screening, and rehearsal theater bordering the West Village and Chelsea, and was greeted with a soft and familiar floral scent; incense alight.  Upon entering, I stepped into a white staging space without…

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Added by Kinshasa Peterson on October 23, 2012 at 1:52pm — No Comments


Team Member
PERCEPTION: A Guide to Kinship and Maybe Magic // Isabel Lewis/Lewis Forever

In A Guide to Kinship and and Maybe Magic, boundaries between blood sisters are explored in silent film.  A group of women, Sarah, Isabel, and Ligia Lewis –…

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Added by Kinshasa Peterson on October 8, 2012 at 4:30pm — No Comments


Team Member
PERCEPTION // Esther Kläs at MoMA PS1

One’s typical reading and research on Esther Kläs would lead to a discussion over self-generated sculptural work, the fluidity of her creative process, and an overarching sense that Kläs was born to be a sculptor.  This visit inside of the artist’s work will not aim to discuss the merits of her sculptural process.  Stepping…

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Added by Raul Zbengheci on September 14, 2012 at 12:30pm — No Comments


Team Member
PERCEPTION // Findlay/Sandsmark // fractured bones/let's get lost

Probably the first thing one would notice walking into findlay//sansmark's new piece would be the row of programmers lined up in front of the stage, wearing costumes and foil hats.  Or perhaps it was the small tower of aged computer monitors playing loops of the set's design.  Either way, the…

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Added by Raul Zbengheci on September 16, 2012 at 11:00pm — No Comments


Fellow & Publication Contributor
PERCEPTIONS // The Poetics of Space

Alexa Salamé, photo by Shige Moriya

Alexa Salamé

On Poetics

I’ve been gently navigating my way through Gaston…

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Added by Alexa Salame on August 2, 2016 at 10:30am — No Comments


Friend of LEIMAY
PERCEPTIONS // MoMA PS1 Summer School 2012: Ritualizing Peformance

Steve Paxton, Genesis P-Orridge, Marina Abramovic, Students

Marina Abramovic…

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Added by Cara Stewart on September 16, 2012 at 5:00pm — No Comments


LEIMAY Ensemble & Guest Colaborators
PERCEPTION // Tahina Spectabilis, Marina Abramović [Interwoven] Our Bodies in Time

photo by John Dransfield

Tahina Spectabilis, otherwise known as dimaka, is a rare and endangered kind of palm that flowers itself to its own death in northwest…

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Added by angeli on August 3, 2013 at 4:00am — No Comments


Friend of LEIMAY
PERCEPTIONS // Jennifer Monson's Live Dancing Archive @ The Kitchen

Benjamin Norman

At the Kitchen a couple of weeks ago, Jennifer Monson showed us that her body of work continues to pursue a rigorous investigation into dance. After seeing the performance of Monson’s Live Dancing…
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Added by Cara Stewart on March 9, 2013 at 2:00pm — 1 Comment


Fellow & Publication Contributor
PERCEPTIONS // About Technique

When I direct, observe, and teach performers- I face the same paradoxical phenomena in all three situations. The necessity of technique and its stagnating damaging effect on the performer.  The question then is “What is talent…

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Added by Polina/Terra Incognita Theater on June 28, 2017 at 11:21am — No Comments


LEIMAY Ensemble & Guest Colaborators
PERCEPTION // Yuko Kaseki's Unspelled // Body Bag: Unknit Moments and a Schizophrenic's Word

above: Yuko Kaseki, all photos by Shige Moriya      

                                  …

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Added by angeli on June 14, 2013 at 2:30pm — No Comments


Fellow & Publication Contributor
PERCEPTIONS // "Mongrel" by Sherwood Chen : Dancing the In-Between

Sherwood Chen, photo by Shige Moriya 

         Sherwood Chen’s Mongrel presented at CAVE in LEIMAY’s At Home Series was an intimate invitation into the artist’s memories and relationships between cultural and personal experience. In light and darkness, moments of loss and of clarity, outward…

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Added by Lucy Kerr on November 21, 2014 at 3:00pm — No Comments


Team Member
PERCEPTION // A MARRIAGE 1 (SUBURBIA)

above: photo of the central room of the installation, bubble gum on display, photo by Ayumi Sakamoto

Funny this relationship between exhaustion and bliss.  Catharsis and ecstasy.  They both have their short runs, short run sentiments, short run utopias.  Yet there is always the climactic…

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Added by Raul Zbengheci on May 21, 2013 at 5:30pm — No Comments

PERCEPTION: Brian Rogers // Hot Box

Photo courtesy Paula Court.

The Chocolate Factory Theater

September 13 –15 & 17 – 22, 2012

As I queued for the performance, a gaggle of pre-adolescent boys flailed down the sidewalk proclaiming, "Oh, a chocolate factory!" "I want chocolate!" The amiable gentleman behind me, last in line, chucked and said, "Sorry…

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Added by Marissa Leah on October 13, 2012 at 9:30am — No Comments


Fellow & Publication Contributor
PERCEPTIONS // Dancing in the Museum

This past October, I was hired as a performer at New York City's Museum of Modern Art for a three week exhibition by the French choreographer, Boris Charmatz. During my last week at the museum, I was standing and watching a group of performers in motion surrounded by hundreds of museum goers.

A woman in her early…

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Added by Carlye Eckert on January 10, 2014 at 6:30pm — No Comments

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