BEGIN:VCALENDAR
PRODID:NingEventWidget-v1
VERSION:2.0
METHOD:PUBLISH
BEGIN:VTIMEZONE
TZID:America/Anguilla
X-LIC-LOCATION:America/Anguilla
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0400
TZNAME:AST
DTSTART:19700101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:5831649:Event:31657
DTSTAMP:20260408T182936Z
SUMMARY:Takahiko Imura // Screen Play // Microscope Gallery
DESCRIPTION:We are very pleased to welcome back to Microscope Japanese
  film/video pioneer Takahiko Iimura – whose work is currently on vie
 w at the MoMA’s exhibition Tokyo 1955–1970: A New Avant-Garde th
 rough February 25th. This special one-night event features the US prem
 iere of Iimura’s 1963 16mm film performance Screen Play and a scre
 ening of his Early Film Poems, a collection of 6 works made between 
 1962 and 1971 (shot on 16mm, 8mm and video), bearing witness to the ar
 tist’s early interest in Dadaist poetry. New soundtracks by Akiko Sa
 mukawa and Haruyuki Suzuki now accompany several of the films.\nIn Sc
 reen Play - which originally premiered in1963, at Sogetsu Hall in To
 kyo – the film Iro (Color) (16mm, color, 1962) is projected direct
 ly onto the back of a performer whose clothes iimura gradually cuts aw
 ay along the borders of the image. In this work, Iimura frees the proj
 ection screen from the rigid structure of the traditional screening by
  intervening on the projectable surface itself, allowing the light to 
 pierce through the fabric and touch the skin of the body.\nIimura says
  about the projected film:\n“I filmed the chemical reactions that em
 erged when I dropped some paint into oil from a close distance, maybe 
 from ten centimetres away. These colours exploded and created waves, a
 nd for at the end I heated it up from underneath until it went black. 
 Nekes once filmed an operation and projected that onto his stomach, bu
 t that was done in 1965 so I was a bit earlier.”\n \nPROGRAM:\nLIVE
  FILM PERFORMANCE\nScreen Play (originally 1963), about 15min.The fi
 lm Color (1962) is projected onto the back of a performer who is sat
  faced away from the audience whilst another performer cuts the sitter
 ’s suit in the shape of the screen. The film, that slowly reveals it
 self against the skin of the performer, is an abstract film that uses 
 a mixture of colored paint that is heated from underneath. Music by Ya
 sunao Tone (Sitter – Andrea Monti; Frame cutter – Taka Iiimura)\n
  \nSCREENING PROGRAM\nEarly Film Poems16mm & 8mm transferred to DVD,
  6 films, 44 minutes\n \nThe Pacific Ocean (1971), 7min. music: Aki
 ko Samukawa (2012)\nKiri (The Fog) (1970), 3min. silent\nHoney Moon
 (1966) 7min. music: Akiko Samukawa(2012)\nI Saw the Shadow (1966) 
 7min. silent\nDada 62 (1962) 10min. music: Haruyuki Suzuki (2012)\n\
 nFor more information visit http://conectom.leimay.org/events/takahiko
 -imura-screen-play-microscope-gallery
DTSTART;TZID=America/Anguilla:20121124T190000
DTEND;TZID=America/Anguilla:20121124T220000
CATEGORIES:"video performance"
LOCATION:Microscope Gallery
WEBSITE:http://www.microscopegallery.com/?page_id=4744
URL:http://www.microscopegallery.com/?page_id=4744
CONTACT:
ORGANIZER:
ATTACH;FMTTYPE="image/jpeg":http://storage.ning.com/topology/rest/1.0/
 file/get/111735480?profile=original
ATTENDEE;ROLE=REQ-PARTICIPANT;PARTSTAT=ACCEPTED;RSVP=TRUE;CN="Raul Zbe
 ngheci":http://conectom.leimay.org/profile/RaulZbengheci
END:VEVENT
END:VCALENDAR
