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TZID:America/Anguilla
X-LIC-LOCATION:America/Anguilla
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DTSTART:19700101T000000
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UID:5831649:Event:31045
DTSTAMP:20260409T112125Z
SUMMARY:MUSIC FOR (PREPARED) BICYCLES – AFTER JOHN CAGE & MARCEL DUC
 HAMP- PART ONE BOMBAY // Cecilia Tripp
DESCRIPTION:‘a music made by everyone’«Music for (prepared) bicyc
 les» (after John Cage & Marcel Duchamp) / Part One : Bombay” is a p
 articipatory performance project in process by Caecilia Tripp Celebrat
 ing 100th Birthday of John Cage in the streets. Wanting to take Cage (
 who would have been 100 years old this year) to the streets, the artis
 t finds ways to democratise the many makers, the conductor, the compos
 er, the performer, the spectator, the on-looker, the bystander, the pa
 sser-by, as equals within her participatory score. To create her score
 , and a film, the artist made a sonic bicycle, like a moving instrumen
 t, spiked with electric guitar strings, capturing street sounds, and s
 ounds of strings hitting playing cards, as it is performed trilling th
 rough places of affect within the city. This project in process alters
  Cage’s “prepared piano” into seven sonic bicycle processions, a
  ”music of change” thriving through seven global metropoles as the
  bondage of a freed geography, beyond all boundaries.\n«Music for (pr
 epared) bicycles» (after John Cage & Marcel Duchamp) / Part One : Bom
 bay was co-produced with Clarkhouse Initiative Bombay. Part Two & Part
  Three of “Music for (prepared) bicycles” will be taking place in 
 New York and Cape Town, South Africa.\nThe technique of the inserted p
 laying cards translates John Cage’s ‘prepared piano’ (1938), on 
 which he wrote many compositions, to the bicycle. Cage once said that
  the future of music was electronic sound. Caecilia Tripp’s inspirat
 ion comes from Cage’s writing, and she makes relation between these 
 and the vernacular culture practiced and invented by teenagers in soci
 ally disregarded suburbs around theworld.\nTo begin «Music for (prepa
 red) bicycles» in Bombay mingles further with John Cage’s entanglem
 ent with David Thoreau’s anarchistic Act and philosophy of Civil Dis
 obedience which as well was inspiring Mahatma Gandhi and Martin Luther
  King, Jr. to call out for people’s power as a means of change.\n”
 Since the theory of conventional music is a set of laws exclusively co
 ncerned with ’musical’ sounds, having nothing to say about noises,
  it had been clear from the beginning that what was needed was a music
  based on noise, on noise’s lawlessness. Having made such an anarchi
 c music, we were able later to include in its performance even so-call
 ed musical sounds. – We need first of all a music in which not only 
 are sounds just sounds, but in which people are just people, not subje
 ct, that is, to laws established by any one of them, even if he is ’
 the composer’ or ’the conductor.’ Finally we need a music which 
 no longer prompts talk of audience participation, for in it the divisi
 on between performers and audience no longer exists: a music made by e
 veryone.”  (J. Cage)\n\n\nFor more information visit http://cone
 ctom.leimay.org/events/music-for-prepared-bicycles-after-john-cage-mar
 cel-duchamp-part-o
DTSTART;TZID=America/Anguilla:20121108T183000
DTEND;TZID=America/Anguilla:20121108T203000
CATEGORIES:sound, performance, participation, bikes
LOCATION:Residency Unlimited
WEBSITE:http://www.residencyunlimited.org/activities/2012/11/ru-event-
 music-for-prepared-bicycles-after-john-cage-marcel-duchamp-part-one-bo
 mbay-by-caecilia-tripp/
URL:http://www.residencyunlimited.org/activities/2012/11/ru-event-musi
 c-for-prepared-bicycles-after-john-cage-marcel-duchamp-part-one-bombay
 -by-caecilia-tripp/
CONTACT:
ORGANIZER:
ATTACH;FMTTYPE="image/jpeg":http://storage.ning.com/topology/rest/1.0/
 file/get/111735474?profile=original
ATTENDEE;ROLE=REQ-PARTICIPANT;PARTSTAT=ACCEPTED;RSVP=TRUE;CN="Raul Zbe
 ngheci":http://conectom.leimay.org/profile/RaulZbengheci
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